United States

Research on online cultural production shows that platforms are acting as mediators that can heavily shape textual form. Yet, empirical work is often platform-bounded, making it difficult to assess whether stylistic regularities that we observe are indeed genre signals or if some of them are platform artefacts. We address this question through a cross-platform design focused on \textit{creepypasta}, a digital-born horror genre circulating across heterogeneous infrastructures. Using a corpus of $\sim$23,000 English-language stories published from 2007 to 2024 on Reddit&#39;s \texttt{/r/nosleep} and the Creepypasta Fandom wiki, we compare stylistic profiles across platforms and relate them to differences in rule regimes and moderation practices, established through qualitative extraction and close reading of platform guidelines. Across readability indices, lexical diversity measures, syntactic proxies, and a cross-fit feature-based model, we find that platform membership leaves only a narrow stylistic imprint, largely reducible to a single architectural rule: r/NoSleep&#39;s mandatory first-person narration. Beyond this constraint, differences are modest and fail to form coherent platform-specific stylistic signatures. This helps us define what is stylistically common in creepypastas, and understand what the genre is to its writers beyond the topics it deals with or the platform it is written on.

ACL 2026

Never Care For What They Say ? Platform vs Genre Rules in Online Horror Narratives (2007--2024)

Research on online cultural production shows that platforms are acting as mediators that can heavily shape textual form. Yet, empirical work is often platform-bounded, making it difficult to assess whether stylistic regularities that we observe are indeed genre signals or if some of them are platform artefacts. We address this question through a cross-platform design focused on \textit{creepypasta}, a digital-born horror genre circulating across heterogeneous infrastructures. Using a corpus of $\sim$23,000 English-language stories published from 2007 to 2024 on Reddit's \texttt{/r/nosleep} and the Creepypasta Fandom wiki, we compare stylistic profiles across platforms and relate them to differences in rule regimes and moderation practices, established through qualitative extraction and close reading of platform guidelines. Across readability indices, lexical diversity measures, syntactic proxies, and a cross-fit feature-based model, we find that platform membership leaves only a narrow stylistic imprint, largely reducible to a single architectural rule: r/NoSleep's mandatory first-person narration. Beyond this constraint, differences are modest and fail to form coherent platform-specific stylistic signatures. This helps us define what is stylistically common in creepypastas, and understand what the genre is to its writers beyond the topics it deals with or the platform it is written on.

workshop paper

It is my great pleasure and honor to welcome you to the 64th Annual Meeting of the Association for Computational Linguistics (ACL 2026), held in San Diego, California, USA, July 2–7, 2026. ACL 2026 continues our fields tradition of excellence in scholarship, innovation, and inclusivity, and I am deeply grateful to the many volunteers who have worked tirelessly to bring this event to life.

It is exciting to see the many developments in the field reflected at our conference, such as the advancement of large language models (born out of our community) into many application directions. This is not without challenges, partly due to unsolved problems, and partly due to misuse of the technology. All this is reflected well at ACL 2026. The conference also reflects that the field is not only about advancing technology, but also the science of fundamentally understanding language and how it is use by many different speaker communities. <br>
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This study proposes and tests loudness standard
deviation (σ) of fictional sound events as an
acoustically grounded proxy for detecting ex-
plicit content in romance fiction. Working with
a subcorpus of novels from the Harlequin Men
Made in America series, scenes were annotated
for character and ambient sound with loudness
levels. Additionally, the scenes were annotated
on a ternary severity scale with two content ad-
visory categories drawn from the PG-STORY
taxonomy by (Tsai et al.) (SEX & NUDITY and
VIOLENCE & SCARINESS), and tested whether
within-scene loudness σof character and ambi-
ent sound correlates with either category. Loud-
ness standard deviation analyses of character
and ambient sounds in scenes featuring explicit
content reveal that erotic scenes are acousti-
cally marked by significantly higher variability
in character-produced sounds, reflecting the dy-
namic range from whispered dialogue to vocal-
ized arousal.

Between Whispers and Screams: Loudness Standard Deviation as a Proxy for Explicit Content Detection in US Romance Novels

This study introduces and analyzes a novel authorship attribution case: the children’s stories published by Oscar and Constance Wilde. We analyzed the corpus of stories with both supervised (SVM with string kernel) and unsupervised (Hierarchical Clustering via Rank Distance) methods and found a strong stylistic similarity between the story "The Selfish Giant" published by Oscar Wilde and the stylometric profile of Constance Wilde. Starting from this baseline, we also explored the the capabilities of LLMs in authorship attribution via Perplexity. Our finding suggests that the story "The Selfish Giant" might be the result of a collaboration between Oscar and Constance Wilde. Moreover, our results pointed to the distinct stylistic fingerprints of the two authors with regards to the rest of the corpus, confirming that their respective styles are separable despite shared genre and period.

Computational Authorship Attribution in the Children’s Tales of Oscar and Constance Wilde: The Case of "The Selfish Giant"

This work investigates the extent to which open-source Large Language Models (LLMs) can improve accessibility of unstructured historical documents by performing abstractive summarization and Named Entity Recognition (NER). We evaluate seven open-source LLMs in zero-shot settings and apply these tasks to witness testimonies collected by the South African Truth and Reconciliation Commission (TRC), which archived a large body of text documenting human rights violations during apartheid. Despite their historical significance, these texts are difficult to access due to their length, lack of standardized structure, and the absence of systematic indexing. Open-source LLMs show strong performance in summarization, with most models surpassing non-LLM baselines (maximum BERTScore 0.77), while NER performance remains limited (maximum F1-score 0.61). Results suggest a trade-off in which stylistic fluency is prioritized over factual precision. A two-stage pipeline, summarization followed by NER on LLM summaries, leads to measurable improvements.

Evaluating Open-Source LLMs for Text Summarization and Named Entity Recognition in Long, Unstructured Text

This paper introduces \textit{Perspectives}, an interactive extension of a qualitative data analysis tool suite developed at our university, designed to empower Digital Humanities (DH) scholars to explore and organize large, unstructured document collections. \textit{Perspectives} implements a flexible, aspect-focused document clustering pipeline with human-in-the-loop refinement capabilities.
We showcase how this process can be initially steered by defining analytical lenses through document rewriting prompts and instruction-based embeddings, and further aligned with user intent through tools for refining clusters and mechanisms for fine-tuning the embedding model. The demonstration highlights a typical workflow, illustrating how DH researchers can leverage \textit{Perspectives}'s interactive document map to uncover topics, sentiments, or other relevant categories, thereby gaining insights and preparing their data for subsequent in-depth analysis.

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Between Whispers and Screams: Loudness Standard Deviation as a Proxy for Explicit Content Detection in US Romance Novels

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Next from ACL 2026

Between Whispers and Screams: Loudness Standard Deviation as a Proxy for Explicit Content Detection in US Romance Novels

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PRESENTATIONS

CONFERENCES

COMPANY

RESOURCES

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